photography from the ground up

2015’s Best Part 2

As the title suggests, this is the second installment of my favorite images from 2015, and, as I mentioned in my previous post, the year was a departure for me in many ways. It is important for me as an artist to feel that my work is progressing. Last year I was able to move my work in new directions while exploring some new territory geographically as well.

In-Wild-Harmony

As August gave way to September, I was eager to explore the Taos Plateau which I had photographed briefly while driving across it in August. At that time of year, the plateau becomes a sea of yellow due to the chamisa and snakeweed blossoms. The wildflowers, like the mountain asters in this image, accent the scene with bursts of color.

Nikon D810 with Nikkor 24-70mm f2.8 lens: 125 sec., f16, ISO 32

The-Rio-Grande-Gorge

The ultimate goal of this trip was the Rio Grande Gorge which cuts across the plateau to a depth of over a thousand feet. Most people see it from the Gorge Bridge west of Taos on US highway 64. But, there are many places along its length where you can drive to within walking distance.

Nikon D810 with Nikkor 24-70mm f2.8 lens: 130 sec, f16, ISO 50

In-Velvet

I tell the students in my Beginning Digital Photography class that you don’t need to drive to exotic places to make good photographs. Of course, it helps if you live in a beautiful place. I made this image of a mule deer buck in velvet in my yard. The blooming chamisa provided the perfect backdrop.

Nikon D300 with Nikkor 80-400 lens: 1200 sec, f8, ISO 1250

Robin-In-The-Slot

In mid-September, we went to Kasha Katuwe Tent Rocks National Monument which is located just south of Santa Fe where the Rio Grande finally exits the gorge after enduring the indignity of being impounded in Cochiti Lake. The hike to the top where the best views of the tent rocks are to be had passes through a narrow slot canyon which affords a cool respite from the late summer heat.

Nikon D810 with Nikkor 24-70mm f2.8 lens: 1320 sec., f13, ISO 800

The-Path-Less-Travelled

My favorite images from that trip were these two of Robin in the slot. The second one became the title image for my show at the Jemez Fine Art Gallery: “The Path Less Travelled”.

Nikon D810 with Nikkor 24-70mm f2.8 lens: 1160 sec., f10, ISO 1250

Dunefire

In September, we also made a trip to White Sands. As detailed in a previous post, the main reason for the trip was to photograph the White Sands Balloon Invitational, but Mother Nature had other plans. The lightshow at sundown was spectacular as this image attests.

Nikon D810 with Nikkor 24-120mm f4 lens: 6 sec., f16, ISO 32

White-Sands-Blue-Hour

I love to break the rules. Dividing the frame in half is supposedly bad form, but with this image, I intentionally centered the top of the dune horizontally I think it works pretty well.

Nikon D810 with Nikkor 24-120mm f4 lens: 18 sec., f16, ISO 32

Breathing-The-Soft-Light

The combination of the color and the peaceful quality of the dunes created a dreamlike atmosphere which I think I managed to capture pretty well with these last two images from White Sands.

Nikon D810 with Nikkor 24-120mm f4 lens: 1.6 sec., f16, ISO 32

Witness

Both were captured near twilight; the intensity of the reds in the sky increased as the evening progressed. By reducing the clarity in Lightroom, I was able to enhance the dreamlike quality of both photographs.

Nikon D810 with Nikkor 24-120mm f4 lens: 2.5 sec., f16, ISO 32

The-Sound-Of-The-One-Hand

On the return trip from White Sands, we made a small detour to Three Rivers Petroglyph Site. There are over 21,000 petroglyphs on the rocks which cover the top of a ridge a little over a half mile long. Again, the weather cooperated and the light was perfect. This image of a hand petroglyph is my favorite from that shoot.

Nikon D810 with Nikkor 24-70mm f2.8 lens: 115 sec., f16, ISO 32

Reaching

In October, we made a journey to to southeastern Utah. The first night we camped at Goosenecks State Park and explored the surrounding area. In the Valley of the Gods, I saw this lone juniper tree perched on a rocky slope below a sandstone fin.

 

Nikon D810 with Nikkor 16-35mm f4 lens: 115 sec., f16, ISO 32

Across-The-Abyss

On the second day, we drove up the Moki Dugway and then out to Muley Point. This was the surprise of the trip and we spent several hours climbing around the sandstone mounds that lie along the edge of the precipice overlooking the Goosenecks of the San Juan. In this image a small juniper clings precariously to its niche overlooking the serpentine canyons and the monoliths of Monument Valley on the horizon.

Nikon D810 with Nikkor 24-70mm f2.8 lens: 18 sec., f16, ISO 32

Camping

Our ultimate destination was Monument Valley. It had been nearly forty years since I was last there, and while there were some changes: notably, the View Hotel, the prospect out over the valley and the sandstone buttes was unspoiled. We camped within view of the Mittens. I made this image of our campsite on our first evening there.

Nikon D810 with Nikkor 24-70mm f2.8 lens: 133 sec., f16, ISO 32

Cloudrider

John Ford Point was made famous by the director of the same name in his 1939 movie “Stagecoach”. I did make my own version of the iconic image: a native on horseback gazing into the distance from the point. But, my pick is this image of a rider moving away from the point while clouds hang low over the valley, partially obscuring the mittens.

Nikon D810 with Nikkor 24-120mm f4 lens: 1640 sec., f16, ISO 1600

In-A-Waking-Dream

As we were driving down into the valley on our first day there, I noticed this raven perched in a juniper right by the roadside. I moved slowly at first , not wanting to spook him before I could get the shot, but the more we photographed, the more I realized that he wasn’t going anywhere. As we packed back into the car, he began squawking. I think he was expecting a tip.

Nikon D810 with Nikkor 24-70mm f2.8 lens: 110 sec., f16, ISO 32

Ansel's-View-Monument-Valley

This image is a replication of a photograph that Ansel Adams made in 1958. I don’t make a habit of shooting from other photographer’s tripod holes, in fact I will go out of my way to avoid doing so. But, hey, he’s Ansel Adams.

Nikon D810 with Nikkor 24-70mm f2.8 lens: 120 sec., f16, ISO 32

The-North-Window

When we pulled into the North Window parking area, I saw this dead juniper along the roadside and was immediately drawn to it. There is something about the bare bones of a twisted juniper tree in this landscape that just fits together.

Nikon D810 with Nikkor 24-70mm f2.8 lens: 120 sec., f16, ISO 32

 

The-Last-Stand

In November I travelled to Las Cruces to photograph a group of women for a Women in Science, Technology, Engineering, and Math calendar. On the way I took a detour through Lake Valley and came across this stand of cottonwoods still in their autumn colors. I was attracted by the contrast between them and the drab landscape, and the low-hanging wintry sky.

Nikon D810 with Nikkor 24-120mm f4 lens: 14 sec., f16, ISO 32

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9 responses

  1. These photos are mind blowing… Wow!!

    Like

    February 24, 2016 at 11:39 am

  2. I find your photowork awesome,magical and pure.

    Like

    February 24, 2016 at 12:03 pm

  3. Monument Valley, always amazing, when shot well. Great selection.

    Like

    February 24, 2016 at 8:26 pm

  4. Fantastic! Love that area. I remember hiking down a gorge to the Rio Grande river one afternoon, then watching a herd of mountain sheep quickly ballet their way down the other side. Fond memories also of White Sands after a storm. Thanks for sharing.

    Like

    February 24, 2016 at 10:42 pm

  5. Beautiful work!

    Like

    February 25, 2016 at 3:32 am

  6. Some wonderful images Jim still very fresh in my mind. Superb!

    Like

    February 25, 2016 at 11:22 pm

  7. Ray Sanders

    Thanks Jim, your pic’s are beautiful.

    On Wed, Feb 24, 2016 at 8:40 AM, Jim Caffrey Images Photo Blog wrote:

    > Jim Caffrey Images posted: “As the title suggests, this is the second > installment of my favorite images from 2015, and, as I mentioned in my > previous post, the year was a departure for me in many ways. It is > important for me as an artist to feel that my work is progressing. Last > yea” >

    Like

    February 26, 2016 at 6:28 pm

  8. Wow.. Simply amazing !

    Like

    March 8, 2016 at 8:47 pm

  9. Magnificent set of images. Each and every one a gem!

    Like

    March 19, 2016 at 10:42 am

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