If there is magic on this earth it lies in water.
Water, without it life cannot exist. It is elusive, you cannot hold it long in your hand (unless it is in its frozen state and even then it soon melts away), yet it carves mile deep canyons through billion year old rock.
I made this first image on a cold day last week. I walked up the East Fork of the Jemez River at Battleship Rock looking for water and ice, and while there was plenty of both, it took a while before I found a composition worthy of an image. This small cascade was exactly what I had in mind; the ice suspended above the rushing water and coating the small branches has a fragile elegance that is all its own.
After leaving the East Fork, I walked a ways up the Rio San Antonio to this waterfall. It is a favorite of mine; I have been coming to this place for many years. I used to bring my daughters here on hikes when they were little girls, so I have a deep connection to it. Again, I was looking for ice, and again I found it. I don’t know how many photographs I’ve made of this waterfall over the years, but this is certainly one of my favorites.
I made this photograph of upper Guadalupe Falls, as well as the two that follow, in the mid-nineties with my Nikon F3 using Fuji Velvia transparency film. To achieve this intimate perspective, I had to set my tripod on a boulder which was lodged above the falls where they drop about ten feet. It is a precarious platform with not much room to work from, but the results seem worth the risk. The snow and ice on the rocks and the greenish color of the icy water give this image a frigid feel.
This is the same waterfall as in the second photograph. It is an abstract to some degree, but the reality of the falls is still obvious. I have always loved the visual and physical contrast between liquid water–particularly if it’s moving–and its solid state when it appears to be moving. Here the immutable basalt face of the cliff provides yet another contrast to the ephemeral nature of the water.
This is the lower end of Guadalupe Falls; the rock in this location is granite, part of an ancient upthrust. The shapes and the solid presence of the rock juxtaposed against the relentless flow of the river through this narrow passage along with the figurative connection between the two provided by the ice are the elements I was reacting to when I made this photograph.
There was a time not too long ago when ninety-five percent of my photography was macro/close-up work. I made a conscious change to broader landscapes, and now ninety five percent of my images are landscapes. Go figure! Recently, while doing some research for a photography class I am teaching, I opened a book by John Shaw, one of the premier nature photographers of all time. One of the first things I noticed about John’s work is that he doesn’t just do landscapes, and he doesn’t just do macro/close-ups, he does it all, and he does it extremely well! So, I am now in the process of trying to strike a balance between the two.
Macro/ close-up photography has one big advantage over landscapes: you can do it in your own backyard. There is a world right at your feet. All you have to do is look.
I made this first image early one winter morning on my way to work. I was walking to my truck when I happened to glance down at the ground; there were all these amazing ice forms with some of the gravel showing through. It was just a matter of setting up my tripod and taking the shot.
Winter is a great time for this type of photography. I love the patterns that can be found in ice and snow. The image below was made in a friend’s driveway one winter afternoon. The arrangement of the leaves caught my eye, and again, it was a simple matter to set up the shot. I like the slight depression in the snow around the larger leaf; it adds a little depth to the image.
Sometimes it’s necessary to get down at eye level with your subject in order to find the image you’re looking for. I found this frozen weed stalk in my side yard one morning. The sun hadn’t hit that side yet, so the small plant was still covered with frost. I was kneeling on the frozen, snow covered ground while I framed and composed the shot, but I think it was well worth the effort.
Spring is another great time to find photos at your feet. The world is awakening after it’s long winter sleep, and there’s plenty of new growth which is still fresh, not yet ravaged by the elements or insects.
The above photo was made right next to a road in the Santa Fe National Forest, and the one below in the back yard of some friends. Both were taken with my Nikon 105mm macro lens mounted on a tripod
This last image has been a favorite of mine for a long time. It was made in my yard just after sunrise, again using my macro lens. All of these photographs, except for the second one which is a digital capture, were taken with a Nikon F100, using Fuji Velvia transparency film, and then scanned with a Nikon Coolscan V film scanner.
So, the next time you find yourself looking for subjects to photograph, don’t forget the small world which is as close as a step outside your door.
The remnants of a common weed captured on a frosty winter morning. I was taken by the way the frost seemed to outline the veins of the leaf, and the small clusters on the stem. I shot this with a wide open aperture (f 2.8) in order to throw the background out of focus and create what is called a bokeh effect.
Equipment: Nikon F100, 35–70 f 2.8 zoom lens, 81A warming filter, Bogen tripod, Fuji Velvia transparency film.
Camera Settings: f 2.8, 1/20th sec., ISO 80
Processing: Slide scanned to digital with Nikon Coolscan V–ED, Contrast, levels, curves, color balance, and Unsharp Mask adjustments in Photoshop.
Yin Yang Winter
I think I must have photographed this waterfall at least a dozen times. I have used it for background in portraits, and I have photographed it at different times of the year. I think that, out of all the images I have of this waterfall, this is my favorite.
The falls are fed by a warm spring, and they cascade over a cliff of basalt. They are tucked into a small canyon which is cut into the welded volcanic ash that makes up the surrounding mesas. There is a state highway a stones throw away, but it can neither be seen nor heard.
As usual, when photographing moving water, I used a slow shutter speed, about .5 seconds, and stopped down for a wide depth of field to make sure everything was in sharp focus. The longer exposure time requires a sturdy tripod and head, and a remote release.
Equipment: Nikon F100, Nikon 35–70 mm f2.8 lens 4x ND filter, Fuji Velvia 50 ISO.
Processing: Nikon CoolscanV, curves adjustment, and greyscale conversion in Photoshop.
Symphony In Ice Major
Here is another example of what you can find if you just look down. I was walking out to my car one winter morning. There was ice everywhere, and there were these amazing patterns in it. I got my camera, and set the tripod over this small section of the ice with pebbles showing through. The way the pattern in the ice follows the curve of the bare pebbles reminded me of music (thus the name).
Equipment: Nikon F100, Nikon 105 mm f-2.8 Macro lens, Fuji Velvia film.
Processing: Nikon CoolscanV, curves, color balance, and saturation adjustments in Photoshop.