We have had two major wildfires here in the Jemez Mountains over the last four years. Each destroyed well over 100,000 acres leaving large tracts of forest scarred with the burned skeletons of once majestic conifer trees. After a while, you get used to the desolation. It can even have its own kind of harsh beauty.
Winter can be especially beautiful in a burn. The tonal contrast between the white snow and the black, charred trees is striking. The textural contrast between the trees on a burned ridge and a lowering storm cloud provide strong elements and tell a story of loss reconciled by time and weather. We can use such conditions to make more compelling images.
When conditions are right, the bones of the dead trees become coated with hoarfrost and are transformed into fragile, crystalline structures. You can almost hear the tinkling of their branches as they sag under the weight of the frost.
When the sun breaks through a low-hanging bank of clouds, the light is transformed; it becomes, in a way, magical. The shadows and the mist of the clouds create a kind of frame that surround and isolate the area which is lit, making it the focal point of the composition.
Otherwise unremarkable elements of the landscape become worthy of attention when they are enhanced by a coat of frost.
They come front and center when the rest of the scene is obscured by cloud cover. Such conditions reduce the clutter that would, under normal conditions, draw our attention away from them.
The last two images are successful only because of the low clouds which block the view of a conifer covered hillside. If we could see the entire scene, the trees in the foreground would become lost in the background of similar shapes and patterns. By using the softness and the simplicity of winter conditions, we can imbue otherwise unattractive or unworkable scenes with qualities that make them stand out, and render them more recognizable and appealing to the eye of a viewer.